By Sterba K
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Additional info for Aerials
Gag situation and squeeze every then he would find a last way of topping even funnier than the one preceding more He knew how to take drop of humor out of that with a situation it. For practical reasons, an animated cartoon is usually broken into very short segments (different animators being assigned each of these), so that the effect, on the screen, is of very rapid down to cuts from one character advantage of men, to another. Disney learned how this as a storytelling device. his layout men, and tion that every cut had to his He badgered to take his story animation directors into the realiza- be meaningful, that each short segment of must contribute to its overall pace.
Jack Cutting, who joined the organization in 1929. recalls that Disney seemed mature beyond "The people who worked stimulated by his enthusiasm. creative mood and his years and. at times, very serious. best with . . Walt were those who were More than once, when he was ideas were popping out like skyrockets. suddenly seen him look as if he had been hit in the face I in a have with a bucket of cold water. The eyebrow would go up and suddenly reality was the mood tune with the creative was 56 difficult to in the spirit room.
The Studio continued to evolve. Hurter's influence and more trigger or animators. Neptune's court in King Neptune and the gingerbread house his influence. is time developing visual ideas for future was felt strongly. In 1933, Hurter designed the settings and main characters for what turned out to be the greatest Disney success up to that time— the famous Three Little Pigs. " The movie was a smash. Theaters retained it week after week and its impact reflects the fact that it went far beyond any of the earlier Symphonies in hit tune.
Aerials by Sterba K